You are watching: East of the sun west of the moon meaning

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Cupid and also Psyche, or in this case, Psyche et L’Amour, by William-Adolphe Bouguereau (1889). Source


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About 80 variants that the tale that is most acquainted to united state as “East that the Sun and also West of the Moon” have been accumulated in Norway. It is maybe the best-loved the the Norwegian folk narratives that space recognised around the world, helped no doubt by the charming motif that the white bear that concerns take far the girl. There is a most scope for innovation within the basic schema of the story type. Just how the bear and the girl meet, how the girl is tested, exactly how she loses and then recovers her husband might vary, however these 5 texts all an extremely obviously phone call the same story.

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Notes

1. Cited in Bettridge and Utley, 159. This rather precise number consists of all ATU-425 tales, such together “Beauty and the Beast” (ATU-425c), i m sorry are probably from the very same source, yet which differ from the ATU-425a tales under discussion here.↩2. Quote in Bamford, 69n. ↩3. Hodne, 97. ↩4. Bottigheimer, 5. ↩5. See 2 majesties 17:30. ↩6. Edwards, 93. ↩

References and also Further ReadingKaren Bamford. “Foreign Affairs: The search for the shed Husband in Shakespeare’s ‘All’s Well that Ends Well’” in Early Theatre, Vol. 8, No. 2 (December 2005): 57–72.William Edwin Bettridge and also Francis Lee Utley. “New light on the beginning of the Griselda Story” in Texas researches in Literature and Language, Vol. 13, No. 2 (Summer 1971): 153–208.Ruth B. Bottigheimer. “Cupid and Psyche vs. Beauty and the Beast: The Milesian and also the Modern” in Merveilles & contes, Vol. 3, No. 1, Special worry on “Beauty and the Beast” (May 1989): 4–14.Edwards, M. J. “The story of Cupid and Psyche” in Zeitschrift für Papyrologie und Epigraphik, Bd. 94 (1992), p. 77–94.Ørnulf Hodne. The varieties of the Norwegian Folktale. Oslo: Universitetsforlag, 1984.Jan-Øyvind Swahn. The tale of Cupid and also Psyche (Aarne-Thompson 425 & 428). Lund: CWK Gleerup, 1955.